We are very happy to be PREMIERING the first release for Drum and Bass United Records of 2019. BC#9 returns in partnership for this release with INVALID to bring Jungle Demon to the world.
Dirty drum breaks and filthy synth bass lines smoothed over with spacial textures; these are some of the traits that define the DNB entity known as INVALID. Southern California native turned Colorado resident Jonathan Loeser, a/k/a/ INVALID, is a rising producer with plans to provide the global drum and bass community with original releases indefinitely. Over the past decade, INVALID has acquired the skills and equipment that modern caliber drum and bass demands, both as an avid drummer and as a live audio engineer. Jonathan is a member of The American Society of Composers, Authors and Publishers (ASCAP). With the support of music lovers worldwide, INVALID has plans to offer digital downloads, CDs, and limited edition vinyl runs on all future releases.
The Video and Release
We are putting the video up here first because personally we really like it !!! With clips from various creative commons sources, put together by BC#9 himself it sets a great backdrop to a great track.
Two Drum+Bass producers come together to create the story and sound of Jungle Demon and Selecta, the galactic DJ. The video and the track tell the story of Selecta and Jungle Demon as they ride through the lost city. The video was created by Jason Bakes a/k/a BC#9, using clips created by multiple artists . The voice of Vincent Price is featured in a clip from the film “House On Haunted Hill”. The artwork for the release was created by Xtene Sixtene & INVALID . Video clips courtesy of Alberto Mielgo, Beeple and Ash Thorp. Jungle Demon was Produced and mixed by Jonathan Loeser a/k/a INVALID @invalidproductions.
Mastered By Nik Hrycyk @Amethyst Studios UK. 2019.
Video created by BC⚡︎➒ Jason Bakes.
Video clips courtesy of Beeple, Ash Thorp Cornelius Dämmrich, Alberto Mielgo, used under the creative commons license, Studios UK 2019. Video created by BC#9.
We think this track has both a modern, as well as a classic feel to it, with an energetic vibe that takes you on a journey. The video helps to project that alongside the music. But if you just want the soundcloud link then here you go –
As for BC#9 you can keep up with everything that is happening with DnB United Records over on their site HERE and check out the latest podcast by Invalid and BC#9 here –
This release hits all major stores in the NEXT FEW DAYS so keep an eye out for it !!
DNB UNTED RECORDS is a website dedicated to the art, culture, and evolving sound of drum and bass. DNB UNITED RECORDS was launched in March 2015 by Founder and CEO Jason Bakes, also known as artist BC#9.
DNB UNITED RECORDS also features album reviews, artist interviews and exclusive mixes from todays most influential DNB artists and labels worldwide. DNB UNITED RECORDS receives advance releases from Hospital, Med School, Metalheadz, Methlab, Terminal, Otherside, Bad Taste, RAM and Viper, Invisible Recordings, and more, to help promote to their audiences.
Tune in to DNB UNITED RECORDS monthly podcast, THE UNITED STATE OF DRUM AND BASS, produced and hosted by BC#9 via Sound Cloud, You Tube, Mix Cloud, Tune In Radio as well as directly on DNBUNITED.COM.
Follow DNB UNITED RECORDS on Facebook, Instagram, Tumblr, Twitter, Vimeo and You Tube for more drum and bass news and content.
We are always looking for writers and contributors who want to donate their time and talent reviewing the latest drum and bass.
BC#9 has once again surprised me with a completely eclectic electronic album of several genres that nobody would one take the chance of mixing trap/hip hop/ and what not.
Right out of the gate bc9 shows his skills as a trap star with the title track Back Door. The beat is so solid and phat with sub bass crawling all over you, while the dancing synth plays with your head. The infectious erotic moans and breathing by the females voice being answered by bc9’s call backs consisting of uh huh and thats right tells its own story of back stage fun. The dramatic build up of the the strings and the pianos to the chorus remind me of the 1979 box office thriller phantasm angus scrim as the tall man. The chorus is commanded more than sung run through the back door leaves a haunting climax to the tracks aura.
Followed up by bad monday which debuted on the bbc in essex london grinds strait thru with that growling grinding bass and psychedelic hypnotic chords that echo and twist like gears you just can’t seem to find. Again the sexual moaning breathy females voice gasping for air between measures lending more to the imagination to create while taking in all of this sensory driven machine that wants you to push it to its limit. This track was built for driving fast without a doubt..next at 179 bpm comes 1-976 talk dirty feat. xtene 16) on vocals bcp,s baby girl lending her sexy pipes for this dope drum & bass track that takes you from the whip you were driving in bad monday to the club to the seduction of sorts in this sexy play on digital and analog dirty tale of seduction through the power of drum & bass. I love the line in the lyrics “i’ll bang you like an 808 all night long” classic dope d& b seduction at its best.
Then we are taken to a hip hop track that feat. medievol guillotine on vocals. This classic r&b influenced modern day hip hop track tells the story of the trinidad native medevieol guillitone selling his soul piece by piece to make someone else whole and calls them out in the lyrics leading to the chorus ( a psychopath, singing baby you are my sunshine
i know my punchlines would be scarin you sometimes, but oh apparently i would be accused at times
of spewing too much hate , but nobody is in mind, see im a hurt fellow till am numb with a cold vibe
you wanna judge me?..well you’re welcome its your style..i care like the klan with a black child.) honest with an aching emotional cry to be considered and herd. hip hop lives.
Late nite urban poets is a prime example of how you could compare this track to the my favorite beat poets of the 50&60’s jack kerouac . jack could read an excerpt from on the road while steve allen played piano and that was an earl form of def poetry/ hip hop for the era and times it served. late nite urban poet celebrates that style with a classic approach and modern day sound great beat with that phat 70’s style bass line and those glowing harmonic undertones giving its foundation that sweet house sounding free flow layering of sound onto that in the pocket classic beat setting the stage for the story telling that is what we call today “urban beat poetry”..
brian r.featured on vocals tells his real life story of living and grinding in the 717 outside phili. His rhymes are emotional, moving and prolific.heres an exert:
i carry my load
but in the break city
the real slum city
that’s where we come to find the truth
the truth between the has and the has nots
but like, ever since hip hop went from selling crack to smoking it
medicine for loneliness
like the money is the (business??) brian goes on to talk about escaping that zip code like any of us who are born in the projects. the only project is to get out of the projects when your born there. sometime a form of escape is to write about it that often leaves one with cathartic experience.there are other forms also like the one described again from this lyric:but i’d rather be going ‘cross the bay
over to the wood in the robin hood
with me and maryann
that’s where we can just hit on the leaves that grows on the (lands bread??) trees
up in the hills of wonderland.
laying low on the (rest?) stoned, immaculate
buddha says this some real light shit, man
back again, comin’ again, meet-a meet-a man chim-chim-any
in the (e’s?) these dwellings all along the deep blue seas
ooh whee, manto say this is some of the best hip hop i have had the pleasure of hearing in a long time is not a lie. the best, this is why i love hip hop and always will. its real life stories that i can relate to.bc9 fishes the album with king of clubs. just a banging club bouncing tronic under the radar superstar groove with sic urban beats that keep you grinding all night long.
New single BAD MONDAY co-produced by BC9 and Marv Man, producer and DJ from London, England. Listen and buy HERE…BAD MONDAY Marv Man and BC9 collaborated on this new Drum & Bass banger. Marv & BC9 found an instant chemistry working online, shipping individual tracks back in forth between London and the USA for just a few hours, days and minutes to compose BAD MONDAY. This single is hot, AAA Drum and Bass from the heart and soul of these two producers. In the prime of their “grind”, we can only hope that this new sound is something that will evolve and carry own to more collaboration and more great music. This sound created by both Marv Man & BC9 is too phat & fine to just leave it at one chart crusher so keep your fingers crossed!!
BC9 follows up BAD MONDAY with an absolute hip hop, grey grind chart climbing song to keep it moving, like it’s moving up the hip hop charts on iTunes in the USA. New Single KING OF CLUBS…listen and buy HERE!
Also in the latest wave of success, BC9, after 17 weeks at #1, is holding steady at #3 on REVERB NATION’s Alternative Artist Rank for Dallas, Texas USA. Preview all music HERE, and check out what new podcasts are being uploaded for the publics consumption of tasty musical treats served up by DJ BC9.
Just to make the whole month of September end with a nice downtempo feeling to unwind to, BC9 drops LATE NITE SOUNDS, a track with a great after-hours vibe… polished, crisp and plush tronica for the individual who enjoys electronic mood lighting and atmospheric audio perceptions and desires.
Also, introducing Barrett Self, new graphic artist for BC9 Productions, we are excited to have Barrett on board and looking forward to future collaborations, look him up, he is a great, intuitive designer.
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